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Publications |
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2009 |
Photographic Possibilities the Expressive Use of Equipment, Ideas, Materials, and Processes, Robert Hirsch (3rd edition), Focal Press |
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The Book of Alternative Photographic Processes, Christopher James (2nd ed.), Delmar Cengage
Learning (and 1st ed., 2007) |
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American Metaphors/Amerykańskie metafory, catalogue |
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2007 |
Le Sténopé de la Photographie sans Objectif, Jean-Michel Galley & Elisabeth Towns, Photo Poche. |
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ACTES SUD |
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2006 |
Afterimage, May/June 2006, vol. 33, issue 6, “The Past is the New Future,” Marnin Young |
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2004 |
ArtBusiness News, volume 31, number 11, November 2004, Laura Myers,“Trailblazing Photography Explores Alternatives” |
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Odwzajemnione spojrzeni: O fotografii otworkowej, Zbibniew Tomaszczuk, Typoscript, Wroclaw, PL |
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2003 |
Adventures with Pinhole and Home-made Cameras, John Evans, RotoVision, UK |
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AGNI, number 57, cover image, five additional images in “Art Feature” (Sven Birkerts’ inaugural issue) |
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Pinhole Journal, “The Enhanced Mishap,” vol. 19, no. 1 |
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2002 |
Senza Obiettivo, exhibition catalogue, international exhibition of pinhole photography, Santa Maria della Scala, Siena, Italy |
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Art New England, volume 23, issue 5, August/September 2002, “Photography: Found Gifts,” Sara Dassel |
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Pinhole Journal, “Contemporary Images 10,” vol. 18, no. 2 |
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2001 |
Jesseca Ferguson Fotografia, exhibition catalogue, Galeria Pusta, Katowice, Poland; text by Krzysztof Jurecki, critic, curator, and art historian, Lódz, Poland |
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Fotografia Kwartalnik, numer 6/2001, “O fotografii Jessiki Ferguson,” Jakub Byrczek interviewed by Zbigniew Tomaszczuk |
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The Book of Alternative Processes, Christopher James, Delmar Books, New York, NY (1st & 2nd editions) |
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The Boston Globe, September 27, 2001, “Pinhole Vision,” Cate McQuaid |
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Kontakty, exhibition catalogue, Katowice, Poland |
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2000 |
Notes Diverses Pour Servir à l’Histoire de la Sténopé Photographie, Perlin Pinpin avec la collaboration de Hervé Flanquart, Bibliothèque Municipale, Lille, France |
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Format Pismo Artystcyzne, NR 4/2000, “Relikwiarz Jesseki Ferguson,” Bogdan Konopka |
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Pinhole Journal, vol.16, no. 2, Contemporary Issues 7 (cover) |
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Dreamworlds: Neo-Surrealism at the Millennium, Alicia Faxon, exhibition catalogue, Attleboro Museum |
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1999 |
Art On Paper, volume 3, number 5, May/June 1999, "New Artists, Old Techniques,” Schneider
Gallery, Chicago,"Kristen Brooke Schleifer |
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The Boston Globe, January 17, 1999, "Three shows imprint photographic memory," Christine Temin |
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Chicago Reader, January 15, 1999, "Forward Into the Past," Mark Swartz |
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1998 |
The Boston Herald, October 2, 1998, Visual Arts, Joanne Silver |
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View Camera, volume XI, number IV, "Synchronicity: Pinhole Photography with the Polaroid 20x24," Jesseca Ferguson |
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Unpublished, "Trois Poétesses de la Lumière," Jean-Claude Lemagny, Conservateur général honoraire des Bibliothèques |
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La Dépêche, 30 mai, 1998, Castres, France, "'Effets Personnels' au Musée Arthur Batut," D.C. |
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1997 |
New Bedford Sunday Standard-Times, "Seeing the World Through a Pinhole," March 23, 1997, Tom Puryear |
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1996 |
The Boston Globe, March 29, 1996,"Mixing memory and surrealism to reinvent the past," Nancy Stapen |
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Art New England, "Profile: Jesseca Ferguson's Pinhole Photographs," February/March issue, Lois Tarlow |
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1995 |
The Boston Globe, December 21, 1995, Nancy Stapen |
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New Dimensions in Photo Imaging, Laura Blacklow (last three editions), Focal Press/Butterworth |
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Photography Quarterly, vol. 16, no. 1, "The Power of Grace," Center for Photography at Woodstock |
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Pinhole Photography, Rediscovering a Historic Technique, Eric Renner, Focal Press/Butterworth (all three editions) |
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1993 |
Pinhole Journal, vol. 9, #3, Figure Studies 3 |
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Radcliffe Quarterly, vol. 79, no. 3, September 1993 |
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Art New England, October/November, Miles Unger, "Lost & Found" |
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The Photo Review, vol. 16, no. 3, summer issue |
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Wayland/Weston Town Crier, Marty Carlock, "Found Objects Exhibited at Clark Gallery" |
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Newton Graphic, Meredith Fife Day, "Picking Up the Pieces" |
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1992 |
Pinhole Journal, vol. 8, no. 3, Landscape Issue, December 1992 |
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Art New England, July/August, Miles Unger, "Fitchburg Art Museum 'New Talent'" |
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1991 |
Radcliffe Quarterly, March, Rebecca Nemser, "Where All Ladders Start" |
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Worcester Magazine, Leon Nigrosh, "A Short Ride to New Visions" |
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The Boston Herald, Joanne Silver, "DeCordova Museum Exhibit Maps Out Land, Sea and Sky" |
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1990 |
Art New England, Alicia Faxon, "allusion DIMENSION" |
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New Times, Scottsdale, AZ, Heather Lineberry,"All that Matisse" |
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The Boston Phoenix, Rebecca Nemser, "Loss Art and Ritual: Visual Prayers for AIDS" |
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1989 |
Martha's Vineyard Times, Karen Mularedelis, "Artist Layers Memories in Boxes" |
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Art New England, Rebecca Nemser, "Distant Views and Forgotten Dreams" |
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The Boston Phoenix, R. Nemser, "Many Dimensions" |
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The Boston Herald, Nancy Stapen, "Isn't Art Romantic" |
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The Boston Globe, Robert Taylor, "Annual Lois Foster Exhibition at Brandeis is rich and evocative" |
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1988 |
Agni Review, no. 27, Thomas Frick, editor, "Concerning the Spiritual in Art" |
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1985 |
Agni Review, no. 22, drawing commissioned by Sven Birkerts |
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Fiberarts Magazine, March/April issue, Asheville, NC |
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1980 |
The FiberArts Design Book, Asheville, NC |
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